ПлановС Π·Π° ΡƒΡ€ΠΎΡ†ΠΈ ΠΏΠΎ β€žΠ₯Π°Ρ€ΠΈΡΡŠΠ½ Π‘Π΅Ρ€ΠΆΠ΅Ρ€ΠΎΠ½β€œ: Storyboard That
https://www.test.storyboardthat.com/bg/lesson-plans/Ρ…Π°Ρ€ΠΈΡΡŠΠ½-Π±Π΅Ρ€ΠΆΠ΅Ρ€ΠΎΠ½-ΠΎΡ‚-ΠΊΡŠΡ€Ρ‚-Π²ΠΎΠ½Π΅Π³ΡŠΡ‚
ΠŸΠ»Π°Π½ΠΎΠ²Π΅Ρ‚Π΅ Π·Π° Π£Ρ€ΠΎΡ†ΠΈ Π½Π° Π₯Π°Ρ€ΠΈΡΡŠΠ½ Π‘Π΅Ρ€ΠΆΠ΅Ρ€ΠΎΠ½

”Harrison Bergeron”, the short story penned by Kurt Vonnegut, Jr. in 1961, imagines the world in 120 years, where the government has taken complete control over free thought and complete equality has finally been achieved – at a price, of course.


In the quest for true equality, people gave up their rights in favor of eliminating all competition, drive, and desire: the very things that inspire innovation and creativity. The people in charge are the only ones who are allowed to think, and that power has grave consequences for Harrison Bergeron, a 14-year-old boy who is already 7 feet tall and virtually uncontrollable. The story explores important themes, such as what total equality at the cost of individuality could look like, and the dangers of losing free thought to a tyrannical government. The dystopian world Vonnegut paints is frighteningly dull, and frighteningly realistic.

БтудСнтски дСйности Π·Π° Π₯Π°Ρ€ΠΈΡΡŠΠ½ Π‘Π΅Ρ€ΠΆΠ΅Ρ€ΠΎΠ½



What is a Dystopia?

The word β€œutopia” was coined by Sir Thomas More for his book about an ideally organized society. It is from the Greek topos meaning β€œplace”. The prefix is intentionally ambiguous; in Greek, the prefix ou- means β€œnot”, while the prefix eu- means β€œgood”. So a u-topia could either be a β€œgood-place”, or a β€œnot-place”, an imaginary place.

One of the oldest recorded and most widely-known utopias is the Garden of Eden. A utopia is a perfect society, where everything is ideally organized, and residents go about their lives happily.

A dystopia, on the other hand, is the complete opposite of a utopia, using the prefix dys-, from the Greek for β€œbad”. It is a flawed society, dys-functional and undesirable. In literature, these two terms often coincide. Many dystopias look idyllic to begin with, but over the course of the story reveal their true nature, which is typically sinister and flawed.

Check out our article on Dystopian Literature and the six common dystopian elements you and your students can track throughout the story!


Handicap vs. Handicapped

An important distinction to note before beginning β€œHarrison Bergeron” is that the handicaps given to the characters are not the same as being handicapped. The word β€œhandicapped” that students will be most familiar with is similar in a way, because each indicates an obstacle that alters the abilities of the person affected. The handicaps given to characters in the story are meant to hinder them in some way in order to make them equal to others. Some of the handicaps they are assigned include:


  • Spectacles to lessen eyesight
  • Weighted bags of birdshot to slow down or hinder stronger, more agile people
  • Hideous masks to disguise physical beauty; the more hideous the mask, the more beautiful the face
  • Mental handicap radios that emit piercing noises to interrupt intelligence, lessening the wearer’s ability to think coherently or deeply about a topic
  • Television announcers are plagued by speech impediments, so no one announcer is more fluent or better than anyone else
  • Voices must be neutral, emitting no quality or tone better or worse than anyone else’s
  • Music must be superficial, cheap, and false; no musician may play better or worse than anyone else
  • A red rubber ball worn on the end of the nose to offset good looks
  • Black caps to cover even white teeth

Essential Questions for β€œHarrison Bergeron”

  1. What does true equality mean?
  2. How can society both ensure equality and protect individuality?
  3. What is a dystopia? What can we learn from dystopian literature?
  4. What happens when people are forced to conform?
  5. Why is individuality so important?
  6. How are emotions an essential piece of our humanity?
  7. What is free thought, and why is it important?


β€žΠšΠ°ΠΊ Π΄Π° ΠΊΠ°ΠΆΠ΅ΠΌ Π·Π° Π₯Π°Ρ€ΠΈΡΡŠΠ½ Π‘Π΅Ρ€ΠΆΠ΅Ρ€ΠΎΠ½β€œ ΠΎΡ‚ ΠšΡŠΡ€Ρ‚ Π’ΠΎΠ½Π΅Π³ΡŠΡ‚

1

ΠΠ°ΡΡŠΡ€Ρ‡Π΅Ρ‚Π΅ ΡƒΡ‡Π΅Π½ΠΈΡ†ΠΈΡ‚Π΅ Π΄Π° участват Π² стимулираща дискусия Π² класа Π·Π° равСнството.

Π‘ΡŠΠ·Π΄Π°ΠΉΡ‚Π΅ ΠΈΠ½Ρ‚Π΅Ρ€Π°ΠΊΡ‚ΠΈΠ²Π½Π° дискусия Π² класа, която Ρ‰Π΅ ΠΏΠΎΠΌΠΎΠ³Π½Π΅ Π½Π° ΡƒΡ‡Π΅Π½ΠΈΡ†ΠΈΡ‚Π΅ Π°ΠΊΡ‚ΠΈΠ²Π½ΠΎ Π΄Π° обработят слоТнитС ΠΈΠ΄Π΅ΠΈ Π² β€žΠ₯Π°Ρ€ΠΈΡΡŠΠ½ Π‘ΡŠΡ€Π³ΡŠΡ€ΡŠΠ½β€œ. ДискусиитС Π½Π°ΡΡŠΡ€Ρ‡Π°Π²Π°Ρ‚ ΠΊΡ€ΠΈΡ‚ΠΈΡ‡Π½ΠΎ мислСнС ΠΈ ΡƒΠ²Π°ΠΆΠΈΡ‚Π΅Π»Π΅Π½ Π΄ΠΈΠ°Π»ΠΎΠ³, ΠΊΠ°Ρ‚ΠΎ правят абстрактнитС Ρ‚Π΅ΠΌΠΈ ΠΏΠΎ-лСсно Ρ€Π°Π·Π±ΠΈΡ€Π°Π΅ΠΌΠΈ.

2

Π˜Π·Π±Π΅Ρ€Π΅Ρ‚Π΅ Ρ€Π΅Π»Π΅Π²Π°Π½Ρ‚Π½Π° Ρ‚Π΅ΠΌΠ° Π·Π° дискусия, ΡΠ²ΡŠΡ€Π·Π°Π½Π° с историята.

Π˜Π·Π±Π΅Ρ€Π΅Ρ‚Π΅ Ρ‚Π΅ΠΌΠ° ΠΊΠ°Ρ‚ΠΎ, β€žΠ’Ρ€ΡΠ±Π²Π° Π»ΠΈ общСството Π΄Π° ΠΏΡ€ΠΈΠΎΡ€ΠΈΡ‚ΠΈΠ·ΠΈΡ€Π° равСнството ΠΏΡ€Π΅Π΄ индивидуалността?” ΠΈΠ»ΠΈ β€žΠ˜ΡΡ‚ΠΈΠ½ΡΠΊΠ° Π»ΠΈ Π΅ ΠΏΡŠΠ»Π½Π°Ρ‚Π° равнопоставСност ΠΈΠ»ΠΈ Π΅ ΠΆΠ΅Π»Π°Π½Π°?”, Π·Π° Π΄Π° стимулиратС интСрСса Π½Π° ΡƒΡ‡Π΅Π½ΠΈΡ†ΠΈΡ‚Π΅ ΠΈ Π΄Π° ΡΠ²ΡŠΡ€ΠΆΠ΅Ρ‚Π΅ Π΄ΠΈΡ€Π΅ΠΊΡ‚Π½ΠΎ с Ρ‚Π΅ΠΌΠΈΡ‚Π΅ Π½Π° историята.

3

Π Π°Π·Π΄Π΅Π»Π΅Ρ‚Π΅ ΡƒΡ‡Π΅Π½ΠΈΡ†ΠΈΡ‚Π΅ Π½Π° Π΅ΠΊΠΈΠΏΠΈ ΠΈ обяснСтС ΠΏΡ€Π°Π²ΠΈΠ»Π°Ρ‚Π° Π½Π° дискусията.

Π Π°Π·Π΄Π΅Π»Π΅Ρ‚Π΅ ΡƒΡ‡Π΅Π½ΠΈΡ†ΠΈΡ‚Π΅ Π½Π° Π΄Π²Π° Π΅ΠΊΠΈΠΏΠ° ΠΈ ΠΏΡ€Π΅ΠΌΠΈΠ½Π΅Ρ‚Π΅ ΠΏΡ€Π΅Π· Ρ„ΠΎΡ€ΠΌΠ°Ρ‚Π° Π½Π° дискусията. Π—Π°Π΄Π°ΠΉΡ‚Π΅ ясни Π²Ρ€Π΅ΠΌΠ΅Π²ΠΈ ограничСния Π·Π° Π°Ρ€Π³ΡƒΠΌΠ΅Π½Ρ‚ΠΈΡ‚Π΅ ΠΈ Ρ€Π΅ΠΏΠ»ΠΈΠΊΠΈΡ‚Π΅. ΠΠ°ΡΡŠΡ€Ρ‡Π°Π²Π°ΠΉΡ‚Π΅ ΡƒΠ²Π°ΠΆΠΈΡ‚Π΅Π»Π½ΠΎ ΡΠ»ΡƒΡˆΠ°Π½Π΅ ΠΈ ΠΎΡ‚Π³ΠΎΠ²ΠΎΡ€ΠΈ, основани Π½Π° доказатСлства, Π·Π° Π΄Π° осигуритС ΠΏΠΎΠ»ΠΎΠΆΠΈΡ‚Π΅Π»Π΅Π½ ΠΎΠΏΠΈΡ‚.

4

ΠΠ°ΡΡŠΡ€Ρ‡Π΅Ρ‚Π΅ ΡƒΡ‡Π΅Π½ΠΈΡ†ΠΈΡ‚Π΅ Π΄Π° ΠΈΠ·ΠΏΠΎΠ»Π·Π²Π°Ρ‚ ΠΏΡ€ΠΈΠΌΠ΅Ρ€ΠΈ ΠΎΡ‚ тСкста ΠΈ рСалния ΠΆΠΈΠ²ΠΎΡ‚.

ΠŸΠΎΠΌΠΎΠ»Π΅Ρ‚Π΅ ΡƒΡ‡Π΅Π½ΠΈΡ†ΠΈΡ‚Π΅ Π΄Π° подкрСпят мнСнията си с ΠΊΠΎΠ½ΠΊΡ€Π΅Ρ‚Π½ΠΈ ΠΏΡ€ΠΈΠΌΠ΅Ρ€ΠΈ ΠΎΡ‚ β€žΠ₯Π°Ρ€ΠΈΡΡŠΠ½ Π‘ΡŠΡ€Π³ΡŠΡ€ΡŠΠ½β€œ ΠΈ Ρ€Π΅Π°Π»Π½ΠΈ ситуации. Π’ΠΎΠ²Π° засилва Π°Ρ€Π³ΡƒΠΌΠ΅Π½Ρ‚ΠΈΡ‚Π΅ ΠΈΠΌ ΠΈ Π·Π°Π΄ΡŠΠ»Π±ΠΎΡ‡Π°Π²Π° Ρ€Π°Π·Π±ΠΈΡ€Π°Π½Π΅Ρ‚ΠΎ Π·Π° равСнството ΠΈ индивидуалността.

5

ΠžΠ±ΡΡŠΠ΄Π΅Ρ‚Π΅ дискусията ΠΊΠ°Ρ‚ΠΎ клас, Π·Π° Π΄Π° Π·Π°Ρ‚Π²ΡŠΡ€Π΄ΠΈΡ‚Π΅ Π½Π°ΡƒΡ‡Π΅Π½ΠΎΡ‚ΠΎ.

Π—Π°Π²ΡŠΡ€ΡˆΠ΅Ρ‚Π΅, ΠΊΠ°Ρ‚ΠΎ ΠΎΠ±ΡΡŠΠ΄ΠΈΡ‚Π΅ ΠΊΠ°ΠΊΠ²ΠΎ са Π½Π°ΡƒΡ‡ΠΈΠ»ΠΈ ΡƒΡ‡Π΅Π½ΠΈΡ†ΠΈΡ‚Π΅ ΠΈ ΠΊΠ°ΠΊ са сС ΠΏΡ€ΠΎΠΌΠ΅Π½ΠΈΠ»ΠΈ мнСнията ΠΈΠΌ. ΠŸΠΎΠ΄Ρ‡Π΅Ρ€Ρ‚Π°ΠΉΡ‚Π΅ ΡƒΠ²Π°ΠΆΠΈΡ‚Π΅Π»Π½ΠΎΡ‚ΠΎ нСсъгласиС ΠΈ прозрСнията ΠΊΠ°Ρ‚ΠΎ ΠΊΠ»ΡŽΡ‡ΠΎΠ²ΠΈ ΠΈΠ·Π²ΠΎΠ΄ΠΈ. Π˜Π·ΠΏΠΎΠ»Π·Π²Π°ΠΉΡ‚Π΅ ΠΈΠ·Ρ…ΠΎΠ΄Π½ΠΈ ΠΊΠ°Ρ€Ρ‚ΠΈ ΠΈΠ»ΠΈ Π±ΡŠΡ€Π·ΠΎ писанС, Π·Π° Π΄Π° Π·Π°ΠΏΠΈΡˆΠ΅Ρ‚Π΅ Ρ„ΠΈΠ½Π°Π»Π½ΠΈΡ‚Π΅ мисли.

ЧСсто Π·Π°Π΄Π°Π²Π°Π½ΠΈ Π²ΡŠΠΏΡ€ΠΎΡΠΈ Π·Π° Π₯Π°Ρ€ΠΈΡΡŠΠ½ Π‘Π΅Ρ€ΠΆΠ΅Ρ€ΠΎΠ½ ΠΎΡ‚ ΠšΡŠΡ€Ρ‚ Π’ΠΎΠ½Π΅Π³ΡŠΡ‚

Какво Π΅ основното ΡΡŠΠΎΠ±Ρ‰Π΅Π½ΠΈΠ΅ Π½Π° "Harrison Bergeron" ΠΎΡ‚ ΠšΡƒΡ€Ρ‚ Π’ΠΎΠ½Π΅Π³ΡŠΡ‚?

ΠžΡΠ½ΠΎΠ²Π½ΠΎΡ‚ΠΎ ΡΡŠΠΎΠ±Ρ‰Π΅Π½ΠΈΠ΅ Π½Π° "Harrison Bergeron" Π΅ ΠΏΡ€Π΅Π΄ΡƒΠΏΡ€Π΅ΠΆΠ΄Π΅Π½ΠΈΠ΅ Π·Π° опасноститС ΠΎΡ‚ Π½Π°Π»ΠΎΠΆΠ΅Π½Π° равСнство Ρ‡Ρ€Π΅Π· ΠΊΠΎΠ½Ρ‚Ρ€ΠΎΠ» ΠΎΡ‚ страна Π½Π° правитСлството, ΠΏΠΎΠ΄Ρ‡Π΅Ρ€Ρ‚Π°Π²Π°ΠΉΠΊΠΈ ΠΊΠ°ΠΊ потисканСто Π½Π° индивидуалността ΠΈ свободното мислСнС ΠΌΠΎΠΆΠ΅ Π΄Π° Π΄ΠΎΠ²Π΅Π΄Π΅ Π΄ΠΎ Π·Π°Π³ΡƒΠ±Π° Π½Π° крСативност ΠΈ Π»ΠΈΡ‡Π½Π° свобода.

Как ΡƒΡ‡ΠΈΡ‚Π΅Π»ΠΈΡ‚Π΅ ΠΌΠΎΠ³Π°Ρ‚ Π±ΡŠΡ€Π·ΠΎ Π΄Π° Π²ΡŠΠ²Π΅Π΄Π°Ρ‚ концСпцията Π·Π° дистопия, ΠΈΠ·ΠΏΠΎΠ»Π·Π²Π°ΠΉΠΊΠΈ "Harrison Bergeron"?

Π£Ρ‡ΠΈΡ‚Π΅Π»ΠΈΡ‚Π΅ ΠΌΠΎΠ³Π°Ρ‚ Π΄Π° Π²ΡŠΠ²Π΅Π΄Π°Ρ‚ дистопия ΠΊΠ°Ρ‚ΠΎ обяснят ΠΊΠ°ΠΊ "Harrison Bergeron" изобразява Π΄Π΅Ρ„Π΅ΠΊΡ‚Π½ΠΎ общСство, Π² ΠΊΠΎΠ΅Ρ‚ΠΎ сС ΠΏΡ€Π΅Π΄ΠΏΡ€ΠΈΠ΅ΠΌΠ°Ρ‚ СкстрСмни ΠΌΠ΅Ρ€ΠΊΠΈ Π·Π° осигуряванС Π½Π° равСнство, ΠΈΠ·ΠΏΠΎΠ»Π·Π²Π°ΠΉΠΊΠΈ ΠΏΡ€ΠΈΠΌΠ΅Ρ€ΠΈ ΠΎΡ‚ историята ΠΊΠ°Ρ‚ΠΎ ΠΈΠ½Π²Π°Π»ΠΈΠ΄ΠΈΡ‚Π΅Ρ‚ΠΈ ΠΈ ΠΎΠ³Ρ€Π°Π½ΠΈΡ‡Π΅Π½ΠΈ свободи, Π·Π° Π΄Π° стимулират дискусия ΠΈ ΠΊΡ€ΠΈΡ‚ΠΈΡ‡Π½ΠΎ мислСнС.

Какви са лСснитС дСйности Π² класната стая Π·Π° ΠΏΡ€Π΅ΠΏΠΎΠ΄Π°Π²Π°Π½Π΅ Π½Π° "Harrison Bergeron"?

ЛСснитС дСйности Π²ΠΊΠ»ΡŽΡ‡Π²Π°Ρ‚ Π°Π½Π°Π»ΠΈΠ· Π½Π° инвалидноститС Π½Π° Π³Π΅Ρ€ΠΎΠΈΡ‚Π΅, Π΄Π΅Π±Π°Ρ‚ΠΈ Π·Π° прСдимствата ΠΈ Π½Π΅Π΄ΠΎΡΡ‚Π°Ρ‚ΡŠΡ†ΠΈΡ‚Π΅ Π½Π° равСнството спрямо индивидуалността, създаванС Π½Π° сторибордовС Π·Π° дистопийскитС Π΅Π»Π΅ΠΌΠ΅Π½Ρ‚ΠΈ ΠΈ обсъТданС Π½Π° Π²Π°ΠΆΠ½ΠΈ Π²ΡŠΠΏΡ€ΠΎΡΠΈ Π·Π° свободата ΠΈ ΠΊΠΎΠ½Ρ„ΠΎΡ€ΠΌΠΈΠ·ΠΌΠ°.

Каква Π΅ Ρ€Π°Π·Π»ΠΈΠΊΠ°Ρ‚Π° ΠΌΠ΅ΠΆΠ΄Ρƒ "handicap" ΠΈ "handicapped" Π² контСкста Π½Π° историята?

Π’ историята handicap сС отнася Π·Π° изкуствСни ограничСния, Π½Π°Π»ΠΎΠΆΠ΅Π½ΠΈ Π·Π° постиганС Π½Π° равСнство, Π΄ΠΎΠΊΠ°Ρ‚ΠΎ handicapped ΠΎΠ±ΠΈΠΊΠ½ΠΎΠ²Π΅Π½ΠΎ ΠΎΠ·Π½Π°Ρ‡Π°Π²Π° Ρ‡ΠΎΠ²Π΅ΠΊ с физичСско ΠΈΠ»ΠΈ умствСно ΡƒΠ²Ρ€Π΅ΠΆΠ΄Π°Π½Π΅. Π’ΠΎΠ½Π΅Π³ΡŠΡ‚ ΠΈΠ·ΠΏΠΎΠ»Π·Π²Π° инвалидноститС ΠΊΠ°Ρ‚ΠΎ ΠΌΠ΅Ρ‚Π°Ρ„ΠΎΡ€ΠΈ Π·Π° ΠΏΡ€ΠΈΠ½ΡƒΠ΄ΠΈΡ‚Π΅Π»Π½ΠΎΡ‚ΠΎ ΡΡŠΠΎΡ‚Π²Π΅Ρ‚ΡΡ‚Π²ΠΈΠ΅, Π° Π½Π΅ Π·Π° Ρ€Π΅Π°Π»Π½ΠΈ уврСТдания.

Π—Π°Ρ‰ΠΎ индивидуалността Π΅ Π²Π°ΠΆΠ½Π° Π² "Harrison Bergeron" ΠΈ ΠΊΠ°ΠΊ ΡƒΡ‡Π΅Π½ΠΈΡ†ΠΈΡ‚Π΅ ΠΌΠΎΠ³Π°Ρ‚ Π΄Π° изслСдват Ρ‚Π°Π·ΠΈ Ρ‚Π΅ΠΌΠ°?

Π˜Π½Π΄ΠΈΠ²ΠΈΠ΄ΡƒΠ°Π»Π½ΠΎΡΡ‚Ρ‚Π° Π΅ ΠΎΡ‚ ΡΡŠΡ‰Π΅ΡΡ‚Π²Π΅Π½ΠΎ Π·Π½Π°Ρ‡Π΅Π½ΠΈΠ΅ Π² "Harrison Bergeron", Ρ‚ΡŠΠΉ ΠΊΠ°Ρ‚ΠΎ тя прСдставлява Π»ΠΈΡ‡Π½Π°Ρ‚Π° свобода ΠΈ крСативността. Π£Ρ‡Π΅Π½ΠΈΡ†ΠΈΡ‚Π΅ ΠΌΠΎΠ³Π°Ρ‚ Π΄Π° изслСдват Ρ‚Π°Π·ΠΈ Ρ‚Π΅ΠΌΠ° Ρ‡Ρ€Π΅Π· дискусия Π·Π° Ρ‚ΠΎΠ²Π° ΠΊΠ°ΠΊ Π³Π΅Ρ€ΠΎΠΈΡ‚Π΅ са повлияни ΠΎΡ‚ Π·Π°Π³ΡƒΠ±Π°Ρ‚Π° Π½Π° своитС ΡƒΠ½ΠΈΠΊΠ°Π»Π½ΠΈ качСства ΠΈ Π°Π½Π°Π»ΠΈΠ· Π½Π° послСдицитС ΠΎΡ‚ общСство, Π² ΠΊΠΎΠ΅Ρ‚ΠΎ всички са ΠΏΡ€ΠΈΠ½ΡƒΠ΄Π΅Π½ΠΈ Π΄Π° Π±ΡŠΠ΄Π°Ρ‚ Π΅Π΄Π½Π°ΠΊΠ²ΠΈ.

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